Artistic research reports

The Orpheus Institute’s yearly Academy intends to build bridges between theory and music, the latter meaning the artistic practice. For th...

Answering to an invitation by a conservatory to be part of the jury assessing the artistic research projects of its Master students, I foun...

Yesterday afternoon, at 4.15pm, Leiden University and docARTES saw Flemish composer  Paul Craenen  defend his research to become Doctor i...

The Swiss city of Bern, official home to the Society for Artistic Research, was host to a large delegation of members from the ARC/SAR...

There is a trend in the world of presentation called PechaKucha. Pronounced ‘pe-chak-‘cha, the term is Japanese for the noise of chatter. T...

A few days ago, I attended a meeting in Gothenburg, Sweden, on furthering the work to set up the Artistic Research Catalog, an on-line work...

We have a new Doctor in the Arts! Yesterday, traverso player and conductor Jed Wentz promoted at Leiden University on his research into T...

Many initiatives have been set up to deal with the issue of quality control in research, yet (or therefore) the EU deemed it worthwhile...

As the term ‘artistic research’ is being used ever more widely, its meaning becomes less particular than the diverse terminology that it is...

The Orpheus Institute, where I coordinate the DocARTES curriculum and where I am a fellow at the Orpheus Research Center in Music (OR...

In 2004 I heard a lecture by Prof. Dr. Albert Wagenaar on how ‘People don’t remember the weather forecast’. This was not the topic but the...

On December 22, 2009, I received my doctoral degree from Leiden University (LU). It was their last promotion of that year, and I became t...

In 2000, the EU issued what is known as the Bologna Declaration , a pledge by 29 countries to reform the structures of their higher educatio...