A blog is often meant and taken as something ephemeral. However, I noticed how readers look for bygone posts. To make browsing this blog easier, and since blogger.com doesn't seem to offer this, I hereby list the topics in this blog. I will keep adding to this categorical list as I add posts to the blog, and you should keep seeing it as "featured post".
Matters of discipline
* Very brief, first post 👉
* What is AR? Opening musings on the question of definition 👉
* Breakthrough research 👉
* Composition
- When Composition is not Research 👉
- When Composition is not Research2 👉
- When Composition is not Research3 👉
- Scott McLaughlin’s report 👉
- Composition as critical practice
• the call 👉
• the complete published introduction to the proceedings & a bit on the then (2022) most recent UK Research Excellence Framework 👉
- Two programs in Salzurg (incl. wider Austria) 👉
- The Case of Germany 👉
- Brazil 👉
- UK
• REF 2014 👉
• REF 2022 👉
* Embodied knowledge and the Frascati Manual
- A move to put our mark on the Frascati Manual 👉
- A move to put our mark on the Frascati Manual² 👉
- The novelty test and the reproducibility criterion 👉
* Expertise
- expertise-specific conferences 👉
- collaborative Bach project 👉
- particularities of expertise 👉
* Florence Principles 👉
* 1st honorary doctorate in AR 👉
* Non-Western music 👉
* Novelty test & reproducibility criterion 👉
* Play or perish? 👉
* Titles: importance, status, usage
* AR at the Master level 👉
* Non-Western music 👉
* Play or perish? 👉
For students
* AR vs. collaborating with a musicologist 👉
* The Belle van Zuylen Prize 👉
* Context 👉
* The defence of my dissertation at Leiden
University, with some history and details of the protocol 👉
* Language 👉
* Presentation
- Wagenaar's art 👉
* Play or perish? 👉
* The Research Catalogue, the Journal for Artistic
Research, and the Society for Artistic Research
- ARC, JAR, SAR 👉
- Have you created your first weave yet? 👉
* Writing
- dissemination success, incl. some statistics 👉
- Writing about contemporary artists 👉
- CD booklets 👉
* Daniel Auner & Dagmar Glüxam's Bach 👉
* Tom Beghin’s Beethoven Broadwood project 👉
* Paul Craenen’s PhD 👉
* Peter Dejans’ honorary doctorate 👉
* Alain Franco’s WTK project 👉
* Michael Picknett’s Devised Music 👉
* Lauren Redhead 👉
* Hans Roels 👉
* Jaso Sasaki 👉
* Anna Scott & Valentin Gloor: “when Brahms met Debussy” 👉
* Mareli Stolp - Reflexivity 👉
* Willem Albert Wagenaar 👉
* Lena Weman’s Studio Acusticum Organ project 👉
* Jed Wentz’ PhD 👉
* EPARM 👉
* the Journal for Artistic
Research and the Society for Artistic Research 👉
* Practice-Research-Unit 👉
* SHARE 👉
* Practice-Research-Unit 👉
* SHARE 👉
* ORCiM research festival (Belgium) 2010 👉
* Excellence in Research conference (Belgium) 2010 incl. on peer review and the link to things economical 👉
* Academy for Music and Theory (Belgium) 2011 👉
* ORCiM seminar on Artistic Experimentation (Belgium) 2011 👉
* Practice-Research-Unit conference (UK) 2011 👉
* Oslo symposium The Art of Artistic Research 2011 👉
* From Output to Impact conference (Belgium) 2014 👉
* Excellence in Research conference (Belgium) 2010 incl. on peer review and the link to things economical 👉
* Academy for Music and Theory (Belgium) 2011 👉
* ORCiM seminar on Artistic Experimentation (Belgium) 2011 👉
* Practice-Research-Unit conference (UK) 2011 👉
* Oslo symposium The Art of Artistic Research 2011 👉
* From Output to Impact conference (Belgium) 2014 👉
- call 👉
- program 👉
- proceedings 👉
* “Can Composition and Performance be Research?” (UK) 2015
* Conference on conducting by the Oxford Conducting
Instituut 2015 👉
* “Composition as critical practice” (Belgium) 2016
* “Composition as critical practice” (Belgium) 2016
- proceedings, incl. complete published introductory essay, & a bit on the then most recent UK Research Excellence Framework 👉
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